FOGSTAND
Gallery & Studio


Exhibition
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Workshop ︎︎︎ 工坊
Residency ︎︎︎ 駐村
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︎︎︎ EN



FOGSTAND Gallery & Studio is a nonprofit, artist-run art space operating between Southeast Asia and the Midwest United States, supporting artists through contemporary art, education, and exchange.

This website has served as an online archive since 2024.

© 2026 FOGSTAND Gallery & Studio. All rights reserved.


︎︎︎ EN

Exhibition

     Archive︎︎︎歷年

Workshop︎︎︎工坊

Residency︎︎︎駐村

Artist︎︎︎藝術家

About ︎︎︎ 關於

Contact ︎︎︎ 聯絡

FOGSTAND Gallery & Studio is a nonprofit, artist-run art space operating between Southeast Asia and the Midwest United States, supporting artists through contemporary art, education, and exchange.



© 2026 FOGSTAND Gallery & Studio. All rights reserved. 

2019-2021 program sponsored by NCAF (Taiwan)

2018-2019 program sponsored by VAF through Midway Contemporary Art (USA), Taiwan Film Institute, Taiwan Cultural Center in New York, Ministry of Culture (Taiwan)

2014-2017 program sponsored by NCAF (Taiwan)



Web template
by Cargo

Web maintenance
by Wen-Li Chen

This website has served as an online archive for FOGSTAND Gallery & Studio since 2024.

Contact: fogstandgallery@gmail.com




a reservoir / a ravine by Galilee Peaches

Exhibition on view: 9/10 - 9/18/2022
Opening : Sat., 9/10, 1-5pm
Venue: FOGSTAND @ St. Paul, MN, USA

Galilee Peaches is an interdisciplinary artist who studies the dynamics of intimacy betweenindividuals and within environments. She explores acts of retrieval, disruption and amendment, findingthat we leave distinct traces of ourselves and of our actions on the objects around us. Her aim is to recordthis imprint in order to better understand our individual histories and collective existence.


https://www.galileepeaches.com/
In this new work: ‘a reservoir / a ravine’, Galilee Peaches creates an archive that acts as a sieve; afictional collection of artifacts and found objects. A large wooden shelf is the centerpiece of theexhibition, hosting sculptures that appear calcified, forged or fossilized. This work reflects on theprecarious nature of excavated artifacts, personifying them and envisioning these objects as extensions ofthe body. The archive speaks to both care and neglect, placing value and negotiating loss. The forms areplaced in situ, which allows them to converse, spiraling into one another, generating fiction. This work ismade with an almost compulsive awareness to material and orientation, with each piece lingering on thesensation and implication of touch.

︎︎︎ 漢